Liberty Shirt Hacks

The Liberty Shirt is one of the most popular patterns ever published by the Sewing Workshop. I have noticed that other pattern companies have similar styles, but the one from TSW is my favorite.

When it was first published, I made this one.

Most of the fabric is a fine Japanese cotton that is printed to look as if it had been pieced. The back shows the original fabric best. It is really one piece of fabric.

As usual I failed to purchase enough fabric for the shirt, so I used solid gray silk dupioni for one sleeve, as well as the left front. I also added tiny burnt orange piping to highlight the wonderful front seams. There are no side seams - the back piece wraps around to the front, creating angled seams where it is sewn to each front. Lastly I spaced my buttons in pairs. Otherwise, I made no changes to it. I loved making it and have worn it quite a lot. 

My next one was made in this gorgeous silk shantung. Since it is fancy fabric, I do not wear it as much, but I love the look of it for a dressy occasion, maybe with black silk pants. I made no changes to this one - instead I let the cool design and the striking solid colored fabric shine.

The next time I made it, I used a cotton shirting, cross-dyed in black and white, so it reads gray. This fabric was not fun to sew, as I recall. I behaved like a silk in preserving all areas where I needed to unpick something. And it wrinkles like crazy. I replaced the usual collar with one from TSW's Now and Zen shirt pattern. I used the double collar.

I have made a white version more than once, each with slightly different details. The one below is made in a pretty textured cotton. I created a stand collar to replace the usual one in the pattern.

Evidently I made one in this linen knit. I say, evidently, because I have forgotten all about it. It looks great on the dress form, but I do not like to wear linen knits. They tend to be flimsy and cling to every bump and bubble on my torso. So I expect I gave it away pretty soon after completing it. The significant change in this one was to convert it from a button up top to a pull over. It is such a wonderful color.

The second white shirting version is below. Based on a tutorial from Linda Lee, I used the neckline from the MixIt shirt, omitted the collar, and made the sleeves 3/4 length. It is not visible in the picture, but I added one chest pocket.

My next version was a sweater knit pull-over. I really like this one. The fabric is what Linda Lee calls boucle. It is a wool/rayon blend and a little scratchy. But I always wear it over something else. Other than making it as a pull-over, I made no other changes. I accented those cool front seams with hand-stitch.

My next version was another pull-over, this time in a silk piece with a little lycra. I used black binding to finish the neck and sleeve hems. And I added black piping to the front seams.

And now, here is my latest.

The fabric is fine Japanese cotton from Nani Iro. It is a double weave and super soft. I bought it on a recent trip to NC. My grandson lives there. The fabulous Mulberry Silks and Fine Fabrics is nearby and a must-see for me.

I accented it with a piece of tana lawn that looks sort-of like Liberty of London fabric. I bought it at the local shop, Gail K, and so I do not really know. The piece was only 36" wide, so I suspect it is not Liberty of London. I have enjoyed using it as an accent on various pieces.

The neckline finish is a variation on the Egyptian shirt pattern from Folkwear. It is a shaped, reversed facing. I also used the tana lawn as a flat piping in the forward seams, as well as for sleeve hem facings.

This fabric has a sweet selvedge. So I hand-stitched that down the back to create a little bit of interest there.

I have already enjoyed wearing this. The Nani Iro fabric is so soft, but the flip side is that it sticks to my high hip fluff. That's OK.

Now I am thinking about my next Liberty hack. I've seen vest versions posted online. And I have a piece of nice fine whale corduroy that would be perfect. 

I suppose there might even be a dress variation left. Or a longish duster. Or. Or. Or.

The Hugo Shirt Lump

I am ridiculously pleased that I finally came up with a fix for the lump at the bottom of the Hugo Shirt from the Sewing Workshop! 

As background, I made the Hugo from linen-rayon white woven fabric about 4 years ago. I liked the finished piece but was never very happy with the finish on the hem at the lower front. I finally wrapped the edge in a self bias strip so that it looked neat, even though it was lumpy IMO.

Original hem fold with serged edge showing

Recently I brushed up against something black. It appeared for about 4 inches around that lump. I tried every cleaning tool on hand. Nothing worked. That black was permanent.

So I put it away to think about. Today I thought about it. I took apart the two fronts from about the waist to the hem. This, of course, meant removing my little bias piece as described above. I set that little piece aside.

My solution to the black stain problem was to cut the hem allowance off, remove the offending black and sew the hem back on, thus making the front slighly shorter than the back. It also introduced a seam along the hem line. I like that, frankly, because it adds a bit more weight to the hem, making it hang beautifully.

And then I began to wonder if there was another way to avoid said lump. Here is what finally worked. BTW, I worked on a sample in parallel with my actual blouse. That way, I could test each step on the sample, then do it on the real garment. The pictures below are the sample, as it pretty clear, I think.

I unstitched the center front seam from the lower edge until a few inches below the lower end of the placket. Next, I pressed the front ham into each side, keeping the left front separate from the right front.

After that, I re-stitched the side seams I had removed in the process of shortening the fronts.

Finally, I folded the lower hem of each front piece into place, and pressed.

With right sides together, I re-stitched the center front seam starting with the lower end of the placket, and stopping at the hem fold line. That point should be lock-stitched.

Then I re-folded the hem for each front piece. With them folded, but not stitched into final position. I placed the two fronts right sides together, aligning all 4 center front edges. Note that there are now 4 layers stacked.

Then, while holding the 3 top layers of the edges together, I wrapped the 4th layer from the bottom, around and over the top layer, creating a sandwich. There are again 4 layers stacked, but it a new order. Note this only works if

1. the lower hems are folded in place, but not stitched, AND

2. the vertical center front seam is finished down to the fold line for the final horizontal hem on the two fronts.

In this position, I stitched all 4 layers together. Then I unwrapped the layer that I had previously wrapped and pressed it all.

With this deep hem, there is nothing poking out and it is easy to press the placket in place.

This creates a beautiful enclosed seam from the horizontal hem fold to the top of the hem allowance. Sooooo exciting, right?!?

Finally I had clip the center front seam right at the top of the hem edge. Now it folds back on itself, forming the most beautiful finished front. Hooray.

I went back to the instructions from the Sewing Workshop. There is a chance that what I have described above is exactly what they intended. Here is the language used, which still does not make sense to me. In any case I plan to tuck my little sample into the pattern envelope in order to save myself a headache on the next Hugo shirt.

With right sides together and facings ou of way, sew Right Front and Left Front at center fron seam. Sew from dot to bottom. Bottom of placket is sandwiched in seam below dot. Clip Left Front seam allowance only to dot. FINISH seam together. Press towards Right Front. 

The key is the making of the *sandwich.* Now, if only I can remember this next time...