Frankie Day 4

Frankie is done! Here are some of my final steps in my first journey with the new Frankie pattern from the Sewing Workshop (TSW).

Buttonholes and buttons, done. I'll live with these for a while. They were in stash so they needed a showing.

As Elaine on FB pointed out, the exterior of the sleeves is just right, but there is a remaining raw bit on the inside, right at the top of the vent. My French seams didn't help. I find it difficult to smoothly transition from a French seam to another seam finish. In the end I tried to fold under the raw edge and slip-stitch in place but it is a bit of a kludge.

The deep inverted pleat in the back is so pretty, I think. I decided to edge-stitch along the inside fold in the hopes of keeping it pleated as I wear and sit in it.

DH was sweet enough to take a picture of me. I guess this is how he sees me (he's quite a bit taller than I am).

So I did a selfie that may be a more accurate read on this shirt, or at least its proportions on my 5'5" frame. Or maybe it's just the way I see me.

Things I love:

• Face-framing collar
• Overlapping seams on the sides of the shirt, as well as the sleeves
• Back pleat
• Oh, my, this navy blue hammered silk!
• The final result.

Things I love less:

• Overall length was too much for me - I shortened it 3", making deep hems that I love.
• I wish I had lengthened the sleeves an inch. Next time.
• That raw bit at the top of the sleeve vent. If I had been working with sturdy fabric, I might have been able to finisse it better. Next time.
• I should have made a narrow shoulder adjustment rather than fudging it. This pattern has wide shoulders, wider than my older TSW patterns. Next time.

This was a fun and challenging make.

Now it's time to make a few gifts.

Frankie Day 3

Please excuse that fold across the left front - just a random mis-press.

Progress continues on my first Frankie, a new pattern from the Sewing Workshop. I'm using navy-blue silk charmeuse that has a slight pebbled texture. At this point, it looks finished but it's not.

After hand-basting, I inserted the sleeves by machine. And I made a decision about the finish on those raw edges. I found some very light weight silk remnants in stash to use for binding them. I cut strips on the bias and machine sewed them to the raw edges of the set-in sleeves. I placed the bias strips up against the feed dogs so that the bias would not stretch too much. Now I'll wrap the binding around the raw edges and slip-stitch in place.

I also decided on a 3" deep hem on the body of the shirt. The pattern calls for a standard shirt tale finish which would have resulted in a 3/4" hem. This shirt is long - long even for a tunic. There was a time in my life when this would have been a dress. Sigh.

The fronts are cut straight on the cross grain and so I was able to easily create the 3" hem. I stay-stitched 1/4 inch from the raw edge and pressed at 3". Then I machine stitched the hem in place. 

The back hem required a bit more work. It is slightly shaped, dipping lower in center back. I could have just whacked it off straight across the grain, rendering it similar to the fronts. I'm glad that I remembered that the gentle curve adds elegance to the overall shape. So I marked 3" from the raw edge and cut it off, retaining the original curve. The piece removed became a facing by recutting it to match the smaller size of the remaining back hem area.

I attached the hem facing at the bottom with 1/4 inch seam allowance, pressed the seam open and then pressed it in place. As on the front, I stay-stitched the top of the hem 1/4 inch from the edge to make it easy to fold under and machine stitch.

Here you can see the finished back hem:

The choice to shorten this garment was not an easy one. The extra length in this tunic could be dramatic. And this navy blue silk is dramatic. But I feel sure I'll get more use from it in a traditional tunic length. And I love deep hemlines on a tunic, as it adds weight and drape.

The shoulders on this shirt run wide. I'm not sure why - it's not intended to be a dropped shoulder line. I checked the pattern tissue against a couple of Sewing Workshop patterns that fit me well and the Frankie shoulders are 3/4" wider than the others, all in size M. I was able to fudge 3/4" off the shoulder and still insert the sleeves. Otherwise this size Medium runs the same as other size Mediums I have made from The Sewing Workshop (TSW). Beware of the wide shoulders if you have a standard size in TSW.

I am pretty jazzed about this shirt at the moment, even though lots of work remains. The next step is buttonholes. Fingers crossed, mouth held just right. Send good karma, OK?

Frankie Day 2

My ten-year-old grandson spent part of today with me. He had to miss school for a cold. He asked me, "Grandma, what do you DO all day?" I told him I read, I sew, I do laundry, run errands and cook sometimes. Mostly I sew. He said, "But don't you get bored with that?" No, I said, I love it. "But why?" Well, it's like when you get a new Lego kit. You cannot wait to work through the instructions and make it. That's the way it is with me and a new pattern. He rolled his eyes and smiled.

After he went home I had a few hours to sew and made progress on the Frankie shirt from the Sewing Workshop. Because it is made from silk charmeuse, I'm taking it nice and slow. Here is today's result:

That is correct. I made two sleeves. And I had a blast, Lego-boy!

Beyond the challenge of the fabric, these are somewhat intricate sleeves. It is a two-piece sleeve (hooray!) with an uneven vent. The vent mirrors the design of the overlapping seams on the body of the garment. So pretty.

Constructing the sleeves required more pressing than sewing. I made good use of my TSW pressing templates. I first learned about pressing templates in a class I took with Linda Lee years and years ago. It was a class at the Atlanta Expo. I think that the templates were actually provided as part of the class registration. Imagine that!?

It was again one of those cases where I could not visualize the construction ahead of time. So I followed each step carefully with fabric in hand. By reading and re-reading the instructions, and lock-stepping through them, the vents came together like magic.

I did have to unsew a few things but the silk recovered nicely. There is top-stitching at the top of the sleeve vent that holds the vent together. It is easy to get extra stuff caught under the presser foot when sewing up inside a finished sleeve:

Next up - setting the sleeves. I have not decided how to finish those raw edges. French seams are sometimes dicey in a set-in sleeve, but I don't want flat felled seams either. I may try some hand-sewing after inserting the sleeve. I'll let that perk overnight.

What a fun pattern - have you bought it yet?!?  I think that this is interesting and lovely design.

Frankie Day 1

Today I had the extreme luxury of a full day of sewing. That really is as good as it gets. Quiet time in my sewing studio with no sound except sewing sound.

silk charmeuse for Frankie; maybe pants with the wool plaid

It was a good day to start the new Sewing Workshop pattern, Frankie. There is a sew-along going on via Facebook with tips and hints on the Sewing Workshop blog, so I have virtual sewing companions.

Wanting to use what I have in stash, I finally settled on a piece of silk charmeuse. It is solid navy with a pebble texture. Let's just say I am flying without a net. No experience with the pattern. No toile/muslin to make sure it fits. The worst possible fabric to sew. I do like a challenge.

Kenneth King once said he'd rather chew broken glass than sew with charmeuse. And I get that. It is like sewing on jello. But look at how luscious it is:

Yum!

Really, it will be worth it, right?

Using pressing templates for center fronts

The pattern has interesting lines and I scratched my head more than once while working through it today. I had skimmed the instructions ahead of time, but some just do not make sense to me until I have the fabric in my hand. For example there is a piece labeled front/side. There is no side seam, as this one piece wraps from the front into the back. There is an underarm dart that runs under the arm about half way down.

The back piece contains an inverted pleat and it underlaps the front/side piece, rather than simply being sewn right-sides-together. That sewing was a leap of faith. And it worked out exactly right!

I used silk thread to baste the back pleat in place. I still have sad feelings about the time I made a pleated skirt from silk charmeuse. I basted the pleats in place with cotton machine sewing thread. Of course, when I removed the basting, I had little holes down both sides of each pleat. Everytime I put it one, I grimaced. It was a lesson well-learned.

French seams in progress

The pattern instructs you to *finish* edges at several junctures. I think that this means serging, but I feel like that would be too heavy handed for this fabric. So far I've used a mix of mock-felled seam and French seams. So glad I did not try any of this late in the day!

French seams in the shoulders

My last step today was to attach the collar. This part at least is quite straight-forward. I interfaced the collar with washed silk organza. This gives it some body without being stiff.

Collar needs hand-sewing to fininsh

So far, so good, but fingers crossed.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

On a sad note, I feel I must mention the passing of Nancy Zieman (1953-2017). I wonder how many sewists all over the world have been influenced by her via the long-running TV show, Sewing With Nancy. I know that she inspired me on many occasions. Years ago when I had not yet discovered the American Sewing Guild and there was no social media, I sewed in isolation. I could always count on Nancy's show to record on VHS and later DVR. I could never get up that early on Saturdays, but I played the recordings later and enjoyed them very much. I felt like I had a sewing pal. The largest quilt I ever made was based on one of her shows. I still love that quilt. You will be missed, especially on Saturday mornings  afternoons, dear Nancy.

White Linen Again

White linen is wonderful to cut, press, sew. This one started life as a large man's shirt - lots of potential. And it is currently a woman's linen shirt. It's like full circle. But the ride was such fun.

The MixIt top from Sewing Workshop is often my starting place with upcycled items. I like that it fits throught the shoulders and bust and then there's plenty of room below. The original shirt was plenty large for cutting out the MixIt Top.

Above I have the MixIt Front piece on top of both the left and right fronts of the original shirt. I aligned the fold line on the tissue with the buttons and buttonholes on the shirt. That is, I aligned the Center Fronts. So I did not disturb the buttons or button holes on the original shirt at this point, figuring to make my shirt button up the front too.

The back was cut on the fold, using the fabric below the original yoke. This was a BIG shirt. I rather like the shape of the man's shirt tail and so decided to keep it, removing only enough of the hem stitching to sew my side seams.

This shirt was big enough for me to cut long sleeves. I used the sleeve cap for the MixIt Top and the rest of the sleeve was cut from the MixIt Shirt. That is such a great, versatile pattern. I still had to reshape the lower portion of the sleeve a bit to smooth out the lumps. But I was able to keep the button placket from the original shirt.

Then I began to play with the leftovers.

The original yokes became sleeve cuffs, though I had to use a piece of white Kona cotton for the back side of the cuffs.

Oops. this needs pressing!

The original cuffs became my collar.

The original collar became my pocket.

And then I began to puzzle how I would deal with the buttonholes from the original shirt. Of course they remained on the left side of the shirt, as is traditional in men's shirts. That's awkward when you've been buttoning the other way for nearly 7 decades (!). And it was fun to think about options.

At Gail K in Atlanta I found these silver coin buttons. These are obviously not made from coins - they are too small to be nickels and check out the tiny ones I used for the pocket and upper sleeve placket. I love these little silver buttons. They remind me of my Texas roots for some reason.

My current solution to the closure puzzle is this: I used some of the scraps to make bias tubes and threaded the tubes through the button shanks. Then I threaded the tubes through the original button holes and tied a knot in the tubes on the back side. Also I added a new row of buttonholes to the right side of the front.

One added advantage to this solution is that I can easily remove (most of) the buttons when I launder the shirt. I thought it might feel wierd when I wear it, but it does not. So far. I can always change it. And that's one of the best reasons to sew.

Bottom Line:
Thrifted Shirt - $2.75
Buttons - $18.00
Time spent - Priceless? Yep.