Good, Better, Vest

Things are really starting to take shape. Now is when the sewing is pretty addictive. I'm not sure where I am in the process, but it's a good place in terms of fun. I completed the piecing on all 12 pattern pieces. I did this by cutting out pre-washed flannel roughly around each pattern piece. I was generous in the seam allowance here. Then using 2.5 " strips of each of the silk dupioni fabrics, I attached it to the flannel using the flip and sew technique. I created some of the strips by combining the fabrics in more of a patch-work manner prior to attaching to the flannel base with flip and sew. I left plenty of dangling strips as I completely covered each flannel pattern piece with strips of silk dupioni.

Next I began the truly Zen part of the process - the actual quilting. I placed generously cut solid silver silk dupioni pieces on the flannel, creating the quilt sandwich. Of course, the stripped silk side was already attached to the batting (the flannel) so it is a little different from ordinary machine quilting. Except for the collar pieces, I decided to simply stitch-in-the-ditch on the strip-pieced side. I think creating new quilting lines would be too much. And the quilting is very subtle on the silver side.

For the collar pieces, there was really just one seam in the strip-pieced side, joining a silver tip to plain gold silk dupioni. So here I first stitched-in-the-ditch and then channel stitched at approximately 1" intervals. Again the quilting is subtle and the hand of each piece is very soft. I now have 12 small quilts since there are 12 pieces in this vest!

At this point, the pieces were still generously cut, not aligning perfectly with my muslin pattern pieces. So I stitched around the perimeter of each piece about 5/8" from the edge of my little quilts to hold them securely in place. Finally I put each original pattern piece from my muslin on top of each quilted piece and re-cut, following the precise edges of the pattern piece. Then I trimmed off the excess silk stripping.

For some pieces, like center backs and center fronts, I wanted the pieces to appear as mirror-images of each other. For example, the center back has a seam so there are 2 center back pieces. To do this, I created a pattern tissue from the muslin piece and placed the tissue over the untrimmed piece and determined where to trim off the edges. Each center back piece was trimmed separately. This allowed me to trace part of the patch-work design onto the pattern tissue when I cut the first piece and then flip the pattern tissue and precisely place it on the remaining center back piece prior to cutting this 2nd center back piece. Now my center back pieces (and front pieces) are more-or-less mirror images as can be seen in the picture of the center back pieces.

Perhaps I should've done this earlier, but I'm now re-reading all of Mary Ray's relevant articles from Threads:

• Threads #98 January 2002 "Basics: Seam Finishes" page 20
• Threads #100 May 2002 "Binding Notched Collars" page 52
• Threads #122 January 2006 "Batting for Quilted Garments" page 49

So I'm now looking forward to actually attaching the vest pieces. What fun, even if I never actually wear it!

Doing My Vest

The vest challenge for City Wide Couture has me on task, finally. Thanks to Martina, the armholes are fitted, and of course, thanks to Pam Howard, the body of the vest was already a good fit. I'm working from Nancy Erickson's #1945 jacket pattern, converting it to a vest. I'm also working on a quilted vest, inspired by Mary Ray's articles in Threads. I'm piecing one side and the other will be solid. The theme is soft metals and it's underway! Later I'll have to determine which side gets the seams.

SWAP - the colors

As I look at this pile of fabric, I'm still struggling to select a color scheme for the Sew Incredibles Sewing With A Plan challenge. So I'm posting these combinations to see what sticks. I feel I need to make something like a coat and pants out of that light grey wool that Cynthia Guffey talked me into at Expo 2009, yes Expo 2009, not 2010. I worry when I keep wool. Will little bugs crawl in there and destroy it. Will it develop permanent folds? Will it fade? I refold it from time to time and store it in a dark closet, but yet... I was really inspired by Hellenne's reversible linen coat and so I'm drawn to that solid dark gray linen, but it hasn't really aged - bought in the now defunct Silk Road shop in Austin TX in June. And here's the coat I'm considering - Sewing Workshop's Verona Coat. I made the muslin in a Small on top and Medium on the bottom. It's too tight on top to wear a sweater under so I've just added the tissue (back) to the pattern pieces. Next I'll cut out a new muslin in a basic size Medium.