Today I finally had time to finish my first version of the Chateau Jacket from the Sewing Workshop. Ever since they started posting preview pictures on Instagram, I have been anxious to make one. And now I am certain I'll make it again. It is a simple wrap over-coat with elbow-length sleeves.
The line drawing does not make it look terribly interesting.
Fabric: This yummy fabric came from Gail K in Atlanta, a place where I find lots of interesting fabrics. It is 80% wool and 20% angora, quite spongie and does not ravel much at all. It was delightful to sew, both hand and machine stitching. The Chateau is designed for non-raveling fabrics with directions for lapped seams and raw edges. So while winter white is not the best color for me, I just could not resist.
happy on the inside, really |
Construction:
I changed some aspects of construction. The pattern calls for either patch pockets or slit pockets with a separate lining piece. I wanted to try out the slit pockets with this non-raveling fabric but decided against using the pocket lining. This would have created 3 layers of my fabric near my high hip fluff (ahem). I felt the pockets might flop around making it even less flattering. So I used the pocket pieces, but not the pocket facing pieces. This required that the top-stitched pockets show, but I kind-of like that.
Finished inside of jacket |
Finished outside of jacket |
I also adjusted the method for creating lapped seams. The pattern is designed for standard 5/8 inch seams so the first step is to cut off the seam allowance on one side of each seam. Then the cut piece is lapped over the uncut piece, aligning the raw edge at 5/8 inch. The trick is aligning the raw edge. The directions suggest the use of tape to hold the lap in place until it is top-stitched. I found that by machine-basting right at the seam line, I could lap it accurately. The basting was easy to remove after top-stitching.
Lastly I added some top-stitching. The pattern does not call for any finish to the raw edge of the front collar, or on the lower hem or the sleeve hem. I wanted a little insurance and stability, so I top-stitched 1/4 inch from each raw edge. I was especially concerned about the bias edges on the front collar. Plus I like the extra detail.
back facing from the right side, before should seams are sewn |
I really like the back neckline! |
I have seen some notes about this being over-sized. It is. But there is no place where fit is relevant, in my opinion. I am 5'5" and happy with the proportions as designed. The fabric is very stable and so stands away from my body. This did not surprise me. I do want to try it again in a drapey fabric, perhaps using standard seam construction. I'm glad they included standard seam allowances. It might be interesting to lengthen the body or the sleeves in another version.
lots of room for extra layers! |
I am quite enamored of this shape and the overall simplicity of it. And the winter white is lovely. My only concern is that it may spend more time at the dry cleaners than on my body. I must stay away from tomato sauce and red wine!
So elegant!
ReplyDeleteno eating with your coat on! This looks quite elegant, and the top stitching really does set the design off.
ReplyDeleteYour coat is lovely, elegant, and it looks great on you!
ReplyDeleteso pretty. Love all the detail work - and the single layer pocket solution. I think the topstitching on the pocket adds a lot to the front of the coat. Nice work!
ReplyDeleteJust beautiful! I love everything about it. You did a wonderful job. And I think winter white looks lovely on you! Enjoy!
ReplyDeleteAbsolutely gorgeous!
ReplyDeleteThe color makes it so elegant!
ReplyDeleteI especially love the back neck area! The lapped seams and top stitching show especially well there - maybe that's just due to the lighting in the photos. But the whole coat is beautiful, front and back. A pretty scarf draped inside the neck could provide the color next to your face that fits your personality.
ReplyDeleteTo make a version with full length sleeves, it would look cool with lantern shaped extensions sewed to the bottom of the cut-on sleeves, with darts to shape the bottom of the sleeve to the wrist.
Thanks as always for sharing the little details that make your garments special.
Really nice. I love the color.
ReplyDeleteAbsolutely beautiful!
ReplyDeleteIt was lovely to meet you at the show yesterday and see you wearing this beautiful jacket. You are such a talent in your couture and your art.
ReplyDeleteIf you are interested in the tunic pattern, it is a Vouge 9171 by Marci Tilton. I obviously made changes to the sleeve and neckline.
Looking forward to seeing more on your blog!
Stunning! If you tire of the white color, you could always dye the coat later.
ReplyDeleteI have been admiring your work for a while, and I have some mustard-gold wool earmarked for the jacket. I have a question for you. You say you basted the seams, Can you please be a little more specific? Machine-basted without removing a seam allowance, and then removing one seam allowance? Seam allowances on the outside or the inside? I am guessing that you basted the seams with the seam allowances to the inside, as if for usual garment construction. Then you trimmed one seam allowance close to the basting and top-stitched the other? Then removed the basting and top-stitched the remaining raw edge?
ReplyDeleteYour construction looks perfect, and top-stitching can look really amateurish if it isn’t just right. I bought my fabric in Paris, and I have dreams of a beautifully French-looking end result.
Hang on - I think I figured it out. You basted a line at 5/8” to use as a guide. Right? After removing the seam allowance on the top fabric.
DeleteYes, exactly right! Thanks.
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