Do you remember the Plaza pattern from the Sewing Workshop? I made the pants over and over again, with and without the front pleat. They are essentially the same as One Seam Pants from Cutting Line Designs.
I made the jacket just once. I have kept it all these years and worn only occasionally. But I do love the fabric which is a tapestry-type weave, probably cotton, something I bought in the fashion district of NYC back in the early 90's.
Stash was expanded when I visited Charleston SC recently. There is a sweet fabric shop called Five Eighth Seams there. If you are ever looking for an amazing supply of 100% cotton gingham, go there - every imaginable color and light weight corduroy to match. I want more of that!
But I also found this glorious piece of rayon challis (and a yummy Marcia Derse cotton you'll see on my blog soon). These contain so many colors that make my heart sing. I could not wait to sew the rayon challis up.
The Plaza jacket is charming, I think. Very, very wide. Short chunky sleeves. Almost a shrug length. I'm thinking it would make a practical throw for summer air conditioning as is, right out of the pattern envelope.
For this one, I lengthened it 15" and created deep hems to add some weight. I also reduced the width of it by about 4 inches total. The pattern pieces are essentially rectangular so it was easy to make these two changes.
Rayon challis is icky to sew. I just have to be honest here. I do love the drape and the airy feel but it takes patience, I think. As you probably know, it is man-made but not synthetic since it comes from wood and other plants. Invented in the late 19th century, it was initially marketed as synthetic silk. The chemical process was improved in the mid-twentieth century. Processes for creating rayon include viscose, lyocell, and modal, as I understand it. And all are nasty for the environment.
Back to icky. I love to iron with lots of steam. Rayon becomes very unstable when steamed. Heck, it's pretty unstable just sitting on the cutting table. So a simple garment is essential, I think.
I used some flat-felled seams but mostly I serged it. I probably should have stayed with the flat-felled seams, to be honest. I became enamored of the selvedge and so used it for one front band and the sleeve hems. That too caused me a bit of grief.
I'll enjoy this little topper. I'll use it as a swimsuit cover up should the occasion arise. It will be great for air-conditioned restaurants. I love these rich colors.
Look at it with this icy pink silk noil! Ah, on the next project.
This is gorgeous. I love the print and colors. You always have a way of making me relook at my Sewing workshop patterns. Jean
ReplyDeleteReally pretty!
ReplyDeleteI love both of your Plaza jackets! I'm thinking of one in a lightweight voile for a summer topper...just to cover my upper arms that nobody wants to see, lol. Marcia Derse is my favorite fabric designer and I have more of her fabric than I should. My problem is I can't seem to cut into most of her prints. She has a new line that may or may not have been released as yet. I can hardly wait to see what fabric you picked out and the pattern you chose!
ReplyDeleteI have made the Plaza jacket about 3 times (once with no sleeves). It's a fun pattern!
ReplyDeleteLove love love your rayon topper.
Thankyou for the blogs you write. They are my most favorite.
ReplyDeleteI, too, love and adore the Plaza pattern. It's so versitile!
ReplyDeleteThe trews are universally flattering, and comparatively easy to sew. All they lack is a provided pocket pattern, but an accomplished stitcher can think of many ways to put in/on a pocket. Easiest would be a patch ... or you could insert a welted pocket whose top is anchored at the waist (David Coffin's "Making Trousers" has great instructions) ... or have a hanging pocket inside the waistband.
The jacket is easy to make reversible. You can fold back the sleeves to get contrasting cuffs ... my favorite reversible version used a jacquard brocade, royal purple on one side, old gold on the other. I did flat-fell seams so there were no raw edges, and a shirt-tail hem. Had just enough fabric left to make one patch pocket. I centered it over a side seam ... could possibly have made it accessible from both sides of the jacket, but did not have enough fabric left to make a welt to disguise the access slit.