Do you see the 3 pockets? |
My first version of Vogue 8934 was a hybrid of the two views. It was lined like view B, but I omitted the hidden placket and instead used buttons like that shown in View A.
This second version is loosely based on view A. The face fabric is a medium weight black linen that is soft from washing. I interlined it with radiance (a blend of silk and cotton) by channel quilting the two layers together. This was done after cutting but prior to construction, so it was constructed as an unlined jacket. Two discarded men's ties and some remnants of an afternoon of fabric dyeing give the interior a little color via a Hong Kong seam finish.
Jacket interlined with silk-cotton radiance |
A small piece of black-and-cream mud cloth has been languishing in my stash for number of years. It was about 3 inches by 18 inches. I've wanted to use it previously, but found it was too small to be useful. As little accent pieces, there is just enough. In fact I have one small square of it left over.
Mud cloth strip down the back |
The accent piece on the lower right is also a pocket. And the diamond shaped pieces on the sleeves are pockets (that is, open on one side, but let's face it, I'm not stashing a twenty in either of the sleeve pockets). As I look at the pictures, it looks like those sleeve pieces might be better a little higher up. Maybe like elbow patches? Or maybe not.
This jacket has reached the wearable stage but it will likely evolve a bit more. Though it is still a little plain, it does go with black linen pants made back in August (Vogue 7881, my TNT fitted pants thanks to Pam Howard). It creates a kind of casual suit.
I pinned the two chunky white buttons on to see how they look. I think they might work if there were three, but I only have two. If I go with such large buttons, then I'll use large snaps, not machined button holes.
Vogue 8934 is one of those styles with very classic, lovely lines. Good bones, I think.
Your jacket looks fabulous - the additional patches are such fun. And I LOVE the idea about using silk ties as binding - so clever!!
ReplyDeleteYour work is just gorgeous!,,
ReplyDeleteI like the two buttons personally. And the mud cloth is a nice addition. Used at last :)
ReplyDeleteGreat looking jacket--you've used the mud cloth strategically. Very elegant.
ReplyDeleteTypical Martha, beautiful inside and out :)
ReplyDeleteGORGEOUS, Martha!!! The use of your mudcloth remnant is brilliant!!!
ReplyDeleteWOW! You have done a wonderful job on this jacket. I love the accents. You are just outdoing yourself, Lady! I'm loving seeing all your new creations.
ReplyDeleteI love your artistic details--beautiful sewing and an extra touch!
ReplyDeleteYour jacket is a beautiful piece of work inside and out! I need to dig through my stash to see if I have any fabulous pieces hiding in there!
ReplyDeleteYour jacket is beautiful - I love the details
ReplyDeleteMarciae
Really nice!
ReplyDeleteA distinctive version of this pattern. I think you're right about it having "good bones". I think it can look good at several different lengths.
ReplyDeleteRe. the collar pieces, in working with the pattern I discovered the view B front band attaches to the bottom of the collar, rather than the end. That is why piece 22 is longer. That is, the front band extends all the way to the top of the collar on view A, but ends at the bottom of the collar on view B. I hope this makes some sense.
I really like your jacket!
By the way, your projects on your website are stunning--impeccable workmanship with excellent choice of fabrics. Elegant, distinctive, and original--you must be the best-dressed woman in town! Obviously professional.
ReplyDeletebest, nadia